The English city of Hull has a lively theatre scene for a town its size, but the local newspaper published only two theatre reviews in the whole of 2018, and the national critics rarely make it to Hull. Jamie Potter of the city’s Middle Child Theatre writes about how his company developed and launched a New Critics Programme to recruit and establish at least eight new critics over four years. (And they made a point of seeing that the writers they chose weren’t all, as Potter puts it, “male, pale, and stale.”) – HowlRound