When conservators at the Tate Britain removed the frame on The Oise at Auvers, a corner of the canvas that hadn’t faded from exposure to light revealed what color van Gogh meant that sky to be when he painted it. – The Guardian
When conservators at the Tate Britain removed the frame on The Oise at Auvers, a corner of the canvas that hadn’t faded from exposure to light revealed what color van Gogh meant that sky to be when he painted it. – The Guardian