“If you’ve seen dancers flare their fingers in the flexed position often mockingly called ‘jazz hands,’ then you’ve seen Fosse, especially if those dancers were also sitting into one hip and hiding their eyes beneath a hat.” Not only did these moves become Fosse’s signature style, they’ve become completely incorporated into the American dance vocabulary. Critic Brian Seibert shows us those moves and their effectiveness in the mambo from the movie version of Damn Yankees. – The New York Times