Cancel culture is not the same as the rising desire to engage with art’s social implications. But both phenomena are indications of a country that is fundamentally shifting the way it engages with entertainment. As such, the titles in Houston have been criticized for inaccurate and stereotypical portrayals of Asians. Since its premiere in 2017, theater critics have taken issue with the representation of women and Vietnamese people in “Miss Saigon.” And the local production of “Madama Butterfly” was itself a piece of self-commentary. – Houston Chronicle