Sontagian Revulsion: My Notes on “Camp” at the Metropolitan Museum

Camp: Notes on Fashion begins promisingly with a deep dive into the early history of camp, including the derivation of that designation as an aesthetic category (first known usage: Molière). But its sprawling, diffuse finale embodies the “camp” worldview at its worst, as it devolves into a parody of a museum exhibition. – Lee Rosenbaum