Rauch, who came into the festival wanting to change the audience and the acting company demographics (and who has succeeded in the latter; the former is stickier, as he also acknowledges in the interview), says, “I have, throughout my career, been very concerned with how marginalized voices can be put at the center of the art and the discourse in our field, and throughout my years at OSF, … I have been challenged by colleagues, audiences, and guest artists.” – HowlRound