Uh-oh, Ang Lee, what happened to you? “If you’re wondering why a filmmaker as good as Ang Lee couldn’t, in this case, see the forest for the schlock, the answer may be that Gemini Man, which was shot at 120 frames per second, indicates that he’s become an apostle of technology first and a filmmaker second. He’s been to the mountaintop and has seen the light of high frame rate. He wanted a big dazzling action movie to hang his new world on, and he found one.” – Variety