“Our suspension of disbelief — the very thing that we need for the art form to work — dissipates. The smoothness and clarity of the image doesn’t make us feel like we’re sitting in a room with the characters from Gemini Man, it makes us feel like we’re suddenly sitting on the set with the actors from Gemini Man, watching them struggle through their lines.” What’s more, explains Bilge Ebiri, Ang Lee, who loves 120 fps tech so much, “is possibly the major director least suited to trying to make high frame rates work.” – Vulture