‘What I’ve Learned From 10,000 Nights At The Theatre’: Guardian Critic Michael Billington’s Farewell Essay

“British theatre is incredibly resilient, yet radically different from when I took up my post at the Guardian in 1971. Even the job of being a critic has altered in all sorts of ways. … But if the process – and the people who get to write the reviews – has changed, the role of the critic remains much the same.” – The Guardian