In 2001, the newly-unified Arts Council England (ACE), with plentiful government and lottery arts funding, made the expansive claim of making artists central to arts policy. The individuals strand of the ‘brave and radical’ Grants for the Arts (GftA) programme promised artists ‘the chance to dream without having to produce’. It initially went a long way to doing that, as 40% of the value of grants went to 3,279 artists, who had a success rate of 52%. More than half were newcomers to Arts Council funding. From 2003-2008 almost 6,000 artists shared some £39m, with almost a quarter of grants for R&D. But austerity and scarceness of arts funding changed all that. – Arts Professional