Hildur Guðnadóttir is actually three-quarters of the way to an EGOT: she has an Oscar (and a Golden Globe) for her score to The Joker and an Emmy and a Grammy for her music for HBO’s Chernobyl. “But it’s on her own, and in the occasional duo or trio setting, that Guðnadóttir has established her signature sound: a moving fusion of ambient drone and contemporary classical that places an emphasis on her exceptionally controlled tone; she’s capable of conjuring entire worlds out of just a few carefully chosen notes.” – Pitchfork