“Indigenous performance has been grossly under-reviewed and while the tide is shifting, the lens with which predominantly white critics view the work has been problematic. The lack of IBPOC voices in the media—at a time when arts’ coverage is shrinking—means white critics are often the gatekeepers of success. There is often a tone along the lines of ‘I don’t understand this, therefore it’s not valid or good art.’ Aspects like style, movement, language, and music are at risk of being dismissed.” – Vice