By the time new Washington Post classical critic Michael Andor Brodeur confesses that he used to listen to Feldman at the supermarket and when stuck in traffic, you might think he’s not impartial enough to make a convincing case. Actually, he’s pretty persuasive: “Now, as the days repeat with barely perceptible variations like one of Feldman’s figures, his music isn’t just lending form to time as it drifts by, it’s recalibrating my sense of scale. And I’m not alone.” – The Washington Post