From Taiwan to Germany to Spain to Quebec, lockdowns are lifting and orchestras are figuring out ways to make music again. David Patrick Stearns looks into what they’re trying, from Yannick Nézet-Séguin’s Beethoven symphony cycle with the (carefully spaced) Orchestre Métropolitain in a largely empty Montreal hall to Prague’s Collegium 1704 performing Baroque music with masks on (even the woodwinds and singers) to an opera in Salzburg where the characters all hate each other so much that they stay socially distanced anyway. – The Philadelphia Inquirer