Sarah Kaufman: “The throughline of WOD is: Show us something we’ve never seen before. As a dance critic, I want to see that, too, whenever I’m in the theater. What new revelation jumps out in a premiere, or in a reinterpretation of a classic work? What fresh response is there to the music, the setting, the story? Part of ‘new’ involves sheer novelty, but part of it is also framing — how the choreographer and the dancer set up a moment for the best impact.” – The Washington Post