“I’m the first to admit that my project can sound outré or precious. … When it came to Bach, I was unhappy about the piano’s awkwardness with hand crossings, the harpsichord’s lack of dynamic vitality and the tootiness of organ pipes. … I kept struggling with what my ideal ‘Goldbergs’ might sound like. I wanted the raw pluckiness of the harpsichord, but with the expressive qualities of the piano.” Parker Ramsay, who plays harpsichord and organ as well as Baroque and modern harp, makes his case. – The New York Times