First, there are the obvious issues of placement: how far apart the string players must be, how much farther apart for the winds and brass, placing the conductor where everyone can see. In Los Angeles, there’s been a complicating issue: the union for the L.A. Phil and L.A. Chamber Orchestra worked out one set of rules while the union for studio musicians (which has jurisdiction over some of the Phil’s and LACO’s work) had already worked out another. Jim Farber reports on how it all got solved. – San Francisco Classical Voice