“Films about slavery have an uphill battle to climb with critics, historians and audience members. There is a responsibility lurking behind each reel: A dialogue should be sparked; perspectives should be shifted. It’s an incredibly tall order for any piece of art. … What makes a good slave movie? Or, perhaps, more importantly, what makes a bad one? For the experts — researchers, teachers, writers, actors — the answer lies somewhere between holding on to the past and pushing the narrative forward.” – The Washington Post