To establish greater equity among artworks and subvert the presumed patriarchal and Eurocentric prejudice of LACMA collections, he is resorting to the hard and expensive corrective—architecture—rather than managing and expanding the collections, making them more complex and inclusive, and simply upgrading the existing buildings (which he had allowed to deteriorate). In Govan’s scenario, design would solve the problem by making the collections disappear. Intending to save the museum, Govan is destroying it. – New York Review of Books