James Wood: “It took me some time to listen properly to Beethoven, to get past the heroic glower of his portrait, the worldwide canonicity. (Surely it didn’t help that our entire generation, like those before us, had to trudge through Für Elise and what we could manage of the Pathétique on the piano. I used to go to sleep to the broken sounds of those pieces, as my brother, five years older, toiled downstairs at his ‘homework’.) It wasn’t till my early twenties that I started listening to the piano sonatas as they demand to be heard: evenly, carefully.” – London Review of Books