The controversial Flick collection currently on view in Germany has, temporarily, at least, “put Berlin on the map with cities like London and New York. But it has also come at a steep cost. There is no promise of a gift to Germany from Mr. Flick, who can take back the art when his loan expires in seven years, and is free to sell work while the exhibition naturally inflates the value of his collection.” According to Michael Kimmelman, the Germans have made a major mistake in assuming that the art could ever be viewed by the world without being sullied the taint of its ownership.