African-American artist Damon Davis on the work of Kelley Walker: “I sat in the audience listening to this man meander on and on to the crowd, interjecting the occasional art term like ‘form’ or ‘color,’ but never once giving the slightest explanation for why he used over-sexualized images of Black women and traumatic images of Black men being brutalized by police and dogs. … Now, what if I took pictures from the Holocaust and smeared cream cheese on them and threw them in a frame, and then told you it was a critique of capitalism and an exercise in color and the form of the contemporary modernist landscape?”