“The concept of cultural appropriation is nothing less than an intellectual fence: Keep out. If it had been adhered to, then Richard Fariña would not have written “Birmingham Sunday” after the bombing of the 16th Street Baptist Church in 1963 that took the lives of four girls. (The song was recorded by Joan Baez.) Bob Dylan could not have written about Hattie Carroll, the black barmaid who was killed by a drunk white patron in 1963. “The Lonesome Death of Hattie Carroll” speaks to both race and class. It is as much “An American Tragedy” as Theodore Dreiser’s classic novel.”