Academicians warned decades ago that “the restrictive control of the master’s archives for a quarter-century after his death in 1959 by his widow, Olgivanna (who died in 1985), would set back Wright studies for a full generation, if not longer. Dissertation advisers prudently steered doctoral candidates away from Wright topics because of the extortionate research and reproduction fees demanded by his foundation, as well as the editorial approval it demanded for publications that used material from the Taliesin archive. The rise of poststructuralist criticism further eroded younger scholars’ interest in an architect whose uniquely personal approach to architecture had little to do with the period’s fascination with literary theory.”