Gershwin’s Concerto in F is getting its regular-season premiere at the Boston Symphony (the piece had always been relegated to the Pops season). Why has Gershwin’s much-loved “serious” music taken so long to be embraced by symphony orchestras?
Gershwin’s Concerto in F is getting its regular-season premiere at the Boston Symphony (the piece had always been relegated to the Pops season). Why has Gershwin’s much-loved “serious” music taken so long to be embraced by symphony orchestras?