“Overhead, the new glass ‘acoustical clouds’ reflect sound back to the stage and into the hall, a distinct visual upgrade from old shell’s look. The stage is lower to the ground, coming only to the knees of front row attendees, and musicians behind the string sections are elevated on a set of terraced risers which should’ve been implemented years ago. Perhaps most importantly, the acoustics—which many voiced as the primary concern about the venue’s reconfiguration—are not only maintained, but improved. Simply put, the results of the renovation banished any skepticism I harbored and exceed even my wildest expectations; it is a masterpiece, a triumph. It’s so good to be home.”