A debate rages at the English National Opera about whether using supertitles is necessary for operas sung in English. Anthony Tommasini appreciates the arguments on both side: “In my passions and my ideals, I side with the purists about the threat titles represent to opera in English. Having this crutch is bound to undermine the heritage slowly but steadily: audiences will look to the screens rather than pay attention to the singers; singers, knowing that audiences are relying on the projected texts, will cut corners on diction so that they can linger on a luscious sustained tone. Yet the pragmatist in me understands the frustrations of sitting through an opera in English when you cannot make out the words. Nothing induces passivity, even hostility, to opera more than that.”