“Artist and printmaker Lilian May Miller constructed her personal image as consciously as she did her artwork. When she was in Japan, she wore Western clothing, often favoring Amelia Earhart-esque ties and mannish blazers. On a 1929 lecture tour in America, on the other hand, at a time when Japanese women were casting off kimonos, she wore traditional Japanese dress. She cropped her hair short, went by Jack among family and friends, and described herself as unable to work up ‘even the ghost of’ a romantic interest in men.”