Community theatre, of course. Studi: “It was kind of a combination of the aftereffect of Vietnam in a way, in that — I won’t say I was addicted or a junkie of adrenaline — but, you know, I tried a number of fairly dangerous things just to kick that off in my brain again. … What I saw in community theater was you could learn your lines and do rehearsals and all of that, but finally opening night shows up and you’re in the wings and I rediscovered that huge wall of fear.”