Classical music in trouble? Not at all, writes Nicholas Kenyon. “The fascinating question is why the repertory has been creatively disoriented in the way it has over the past couple of decades, why people now find gamelan music or 13th-century organum as meaningful to them as the classics. I believe there is a very simple answer to this: we have finally reaped the harvest of a century and more of recording and broadcasting, which has gradually made the widest possible range of music available to us, all at the same time, in an almost frighteningly all inclusive way. How could this overwhelming experience not have a drastic influence on our taste?”