Kelli O’Hara Talks About Returning To Opera – The Met, No Less – After 20 Years On Broadway

“Well, there are no microphones. … Once I’m out there, I have to depend on the acoustics of the room. I’m not going to give myself a bigger voice overnight; I’m not going to give myself more resonant power overnight. My head’s the size it is. … There’s something about a mic that does show everything – all the inconsistencies, all the vulnerabilities of the voice are heard with a microphone. Without it, you’re not. You can clear your throat; you can do things that aren’t actually heard out in the house.”