The Guardian says: “In this brittle standoff, fault lies on both sides. The French anti-streaming measures may be draconian, but resistance to Netflix’s anti-cinema model is quite understandable. … Quite aside from diminished screen size and visual impact, what films gain in universal accessibility, they lose in promotion, public awareness and even prestige, slotted as they are into a vast, fast-moving content menu between Adam Sandler originals and new episodes of Queer Eye.”