Is it possible that our cultural #MeToo moment dampened enthusiasm for a painting of a nude girl by one of art history’s most reputed misogynists, an artwork the late writer Gertrude Stein described as lovely, complicated, disturbing and repellent?
Is it possible that our cultural #MeToo moment dampened enthusiasm for a painting of a nude girl by one of art history’s most reputed misogynists, an artwork the late writer Gertrude Stein described as lovely, complicated, disturbing and repellent?