Norman Lebrecht predects the end of the conventional classical recording business. But Anthony Tommasini begs to disagree: “Smaller labels like Nonesuch and Naxos, which once just filled in the gaps with records of specialty repertory and adventurous artists ignored by the majors, are proving that it is possible to release important recordings at midrange prices and still pay the bills. And though the financial repercussions from the downloading of CD’s have the recording industry feeling besieged and impotent, some bold orchestras have, like many rock groups, taken matters into their own hands and released self-produced CD’s, recorded live and available on the Internet.”