For nearly the last 15 years of his ballet career, Rudolf Nureyev “did everything possible to destroy his reputation, dancing too often, too badly, eventually too unwatchably to be anything more than classical ballet’s grimmest joke. And yet, surprisingly, almost impossibly, his artistic rehabilitation is now in full swing, fed by new evidence that, if not the greatest dancer of our era, he may well have been the most original and influential.” – Los Angeles Times