Understanding The Auction Season That’s Upon Us
I spent several days in September–and even in late August–reporting an article that appeared as the cover of The New York Times‘s Fine Arts & Exhibitions section, which is officially in the Sunday, Nov. 1… … read more
I returned recently from a keynote-giving junket that took me to Toulouse, France and then to Springfield, Missouri. Some contrast, I know. (Although it should be noted that the food and the hospitality were excellent… … read more
In The Atlantic: “Academics, in general, don’t think about the public; they don’t think about the average person, and they don’t even think about their students when they write… Their intended audience is always their peers.… … read more
Once again, the Anonymous Was A Woman Foundation has chosen ten women artists for “no strings” grants of $25,000 each. Since I long ago began covering this–when the awards were first unveiled 20 years ago–I… … read more
Pharoah Sanders The National Endowment of the Arts has doubled down on celebrating jazz beyond “jazz” — music that has exploded historic parameters or preconceptions of “jazz” conventions — by naming as 2016 Jazz Masters the saxophonists Pharoah Sanders and… … read more
Any composer’s work can be appreciated both for its connections to historical antecedents and for the way it reflects a distinct artistic voice. Some music leans more heavily to the former, some to the latter.… … read more