The closest thing to a black theater company that is able to survive and sustain itself is the St. Louis Black Rep. And theater companies — let’s just take Los Angeles, for example — the Los Angeles Music Center downtown and Mark Taper Forum and all the people that run those companies are getting the grants from the foundations I couldn’t get because they did one black play in their season. The black theater producers, the people who are in the community need the grants, and they can’t get them because the established theaters downtown are taking advantage of those grants.