New York Times architecture critic Herbert Muschamp’s retirement from the architecture beat is “a relief to a new crop of editors unwilling to defend, as their predecessors did, the critic’s iconoclasm and obscurantism, his unapologetic dilettantism and his unabashed socializing within the highest social circles of the creative world he judges in print. It’s a fall from grace that represents the kind of Times-writer morality tale alumni of the paper know all too well. At the height of his career, Mr. Muschamp’s writing was the talk of the New York cultural scene; today, his professional conflicts of interest and very public breakdowns have pushed him to the margins of architectural society.”