“Like many of his fellow composers in the 1950s and ’60s, Mr. Davidovsky was drawn to the new possibilities offered by technology. But he was uneasy with the prospect of music that was immune to human interpretation. Beginning in 1963 with Synchronisms No. 1 for flute and tape, he coaxed electronic sounds into partnership with traditional instruments to create musical pas-de-deux that were full of mystery and drama.” – The New York Times