“The basic truth of all Salvator Mundi stories is less exciting; it is an important painting with a solid connection to Leonardo da Vinci, and many rich people want to own it. Its delayed appearance at Louvre Abu Dhabi most likely reflects Middle Eastern politics. But facts seem no longer to matter with the picture. Maybe this determination to speculate reveals nothing more than our fascination with all things Leonardo, but I suspect it is also because his accessibility makes it possible for everyone to have an opinion on his art.” – The Art Newspaper