“Essentially, Bennett is creating a contemporary Theatre of Cruelty, giving the visceral and ritualistic techniques that Antonin Artaud advocated 80 years earlier a pyro, DayGlo twist. … He delights in designs that ‘bombard the audience with information, whether that’s sonic or physical or visual’. This is a director who abhors theatre ‘that doesn’t go beyond the cerebral’ … and for whom theatre has to make itself felt.” — The Guardian