“Modern dance companies dedicated to a single choreographer generally have audiences ready to invest in the artist — even when not successful — as much as the art,” but it’s not so simple for classical ballet companies. “What happens when a choreographer of stature misfires? Should the work remain in the repertory? And what about a work that fails on some levels but not others?” Hanna Rubin talks to the leaders of a couple prominent ballet companies about the issue. – Dance Magazine