“Domingo is, indeed, irreplaceable — because the world no longer has a place for this particular kind of artist, who has done so much to help the field and so much to harm it. And it may well be that without him, the field loses some of its patrons, and some of its funding. It may be, indeed, that the institution of opera fundamentally changes — which is something we should all aspire to if we want this intoxicating, bizarre, glorious art form to continue to be vital, now and in the future.” – The New Beat