Johnson choreographed the film adaptation of The Wiz and won a Tony for his choreography for Purlie. He performed in both stage and screen versions of Damn Yankees, created works for the Alvin Ailey and for the Dance Theatre of Harlem, and inspired Jerome Robbins’ “Afternoon of a Faun.” He began the dance department at Howard University. Carmen de Lavallade, his costar from the 1954 musical House of Flowers, said “You know those hard rubber balls that bounce? He reminded me of that because he had such elevation, and he was quick and tough. He was low to the ground, but he could get off the floor, and he could jump high. My goodness, he was strong. … And there was always a sense of humor in his movement — the jauntiness that he had.” – The New York Times