Arthur Kaptainis: “[He] managed to forge an entente with an orchestra still reeling from the public resignation of Charles Dutoit and a provincial government that took culture more seriously than most. Not to mention a public that was quite prepared to be mesmerized by his mix of Japanese ancestry, Californian upbringing and European credentials. … As the right conductor at the right time, Nagano was in a much better position than most music directors to do whatever he wanted … [including] programming that few other North American orchestras would hazard.” (Not to mention opening a brand-new concert hall.) – La Scena Musicale (Montreal)