“The lyrical dancing style Fokine requires in his neo-Romantic vein is almost a foreign language to dancers bred to thrill audiences with their dazzling technical accomplishment, not to beguile the public by means of subtle evocation. The combination of traditionally masculine and feminine elements in the main role makes a good chunk of the current audience uneasy, while an even larger chunk has trouble believing that anything created nearly a century ago can have the force, the significance, and the power to persuade the emotions as do the products of the present.”