The Art Gallery of Ontario has forged an unlikely partnership with Russia’s Hermitage Museum in recent years, and the AGO’s Matthew Teitelbaum is determined to take it to “‘the curatorial level,’ which, despite its formal-sounding nature, really means more of a hands-on deal between the Hermitage’s art experts and his own. In short, he wants AGO people to start arranging what the Hermitage might send our way. But put this in some perspective. Since the entire AGO, with or without Frank Gehry touch-ups, probably would fit nicely into the Hermitage’s cat-infested basement, Teitelbaum’s approach can be seen as remarkably progressive, pushy, or somewhere in between.”