“Nowadays, different art worlds work differently. Glasgow, Leipzig, and Los Angeles are laboratories run by skeleton crews. London is the same, only crossed with a private club, a sparkler, and a sideshow. The New York art world has swallowed up all these paradigms and mutated into a kind of nebulous Super Paradigm. Think of it as a giant sponge: Bland on the outside, intricate within, it is extremely porous and permeable, takes advantage of any current, absorbs everything, and is capable of enormous engorgement. The Super Paradigm may be pluralism gone wild, or a giant oil spill—sprawling but not evolving. Whatever, there’s no avant-garde within it because there’s nothing to react against.”