The Denver Art Museum has cast Monet as a sort of Romantic painter, looking for the truth in unalloyed nature – and perhaps finding it. But instead of demonstrating oneness with pure nature, “with a little critical re-framing, Monet’s most celebrated works can testify to the perniciousness at the heart of the structural conditions underlying today’s climate crisis — in particular, the dated binary between ‘enlightened’ humans and an inert and exploitable ‘true’ nature.” – Hyperallergic