Next week the UK’s National Gallery will learn if it can get the money to buy a Raphael before it is sold to Americans. “Arguments have been raging over the fate of the painting with varying degrees of hysteria, sentimentality and anger since October. The Getty has been accused of ‘baby-snatching’; there has been talk of “raids on the British patrimony”. The language employed – including the nakedly over-emotional, quasi-evangelical notion of ‘saving’ – has not been helpful. Anyone would think that the National Gallery is protecting the picture from a gang of criminals, masterminded by evil geniuses in the guise of aristocrats, Sotheby’s experts and ruthless foreign curators, intent on grabbing the Raphael and hurling it into the Thames.”